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Antichrist (Inverted Christ), 2007 by Blek Le Rat

Year: 2007

Edition: 1 / 3

Material: Spray painted stencil on canvas (Triptych / joined canvasses)

Dimensions: 195 x 196

Certificate: Comes with a certificate of authenticity

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PROVENANCE
The piece was commissioned directly from the Leonard St Gallery by the Eddie Lock Gallery in February 2007 and was acquired by the current owner from the Eddie Locke Gallery in April 2020. It comes with the original Leonard St Gallery invoice from February 2007 and an Eddie Lock Gallery Certificate of Authenticity.  The artwork has been signed, dated and numbered by the artist
CONDITION 
It is in very good overall condition, with minor age related dirt and scuffs on some of the outer edges of the canvas and a very small imperfection in the top right corner of the piece.

40,000.00

1 in stock

Blek Le Rat (French, born 1951)

Born in 1951, Xavier Prou (better known as Blek Le Rat), is one of the first graffiti artists in Paris. He is the founder of the international stencil art movement. After a trip to the USA in 1971, Blek first witnessed the ‘wild style’ graffiti prevalent in New York City. This left a lasting mark on him. After his impressions from his visit to New York, Blek Le Rat started painting the streets of Paris in 1981. He chose a different technique – the stencil – as more appropriate for the French architecture.

Blek Le Rat’s first stencils were black rats, seen to be running along the walls throughout the centre of Paris. The rat, also an anagram for ‘art’, is in Blek’s mind “the only animal to survive the apocalypse“. In 1983 Blek began to paint life-size stencils. Alongside his rats, these have become his trademark style and have influenced generations of street artists around the world.

Dedicated to the idea of bringing art to the people, Blek often quotes the old masters like Caravaggio, Michelangelo, Guido Reni and Leonardo da Vinci. “I want the characters of the paintings to walk out of the museums to give them back to the people of the city” he says. In the mid 2000s, Blek’s work evolved to become more overtly political. Following the kidnapping of French journalist Florence Aubenas in Iraq, Blek pasted hundreds of prints of her image around Paris. Her portrait appeared everywhere, from her work place at Libération, next to cafés and offices of major newspapers. This activation aimed to attract the attention of the media and politicians to raise awareness of her situation.

This body of work was a defining moment for Blek, who says, “I became aware of my power and responsibility as an artist working in the public space“. That same year, Blek began a series portraying beggars on the street, aiming to shed light on the issue of homelessness. Blek paints the same portrait of a young beggar around the world, from Europe, to the United States to Australia, to challenge authorities, because “sometimes images have a bigger impact than reality”.

(Source: Blek Le Rat official website)